In shock over the Academy’s stats? Not so much.

So, after an 8-month effort of digging, cross-referencing, and prying the news out of agents and publicists that their clients are in the prestigious Academy of Motion Picture Arts and Sciences, the Los Angeles Times released its bombshell Sunday.

Academy members are:

  • 94% white
  • 77% male
  • 54% over 60 years old

Board members, reportedly surprised by the results, reacted with variations of, “We knew it was bad but we didn’t know it was that bad.”  You might think that a quick look around the room. . . . oh, never mind.

Dig a tiny bit more and you’ll find that only 2% of the membership is under the age of 40; those in their 40s make up 11%, and 25% are in their 50s.  (I know, there’s a rogue 8% “Unknown” missing. . don’t look at me, I only lose glasses.)

“Uncomfortable,”  “Profound,” “By Mike Leigh” are not words that propel the well over-60-year-old Academy member into a screening. Do you think those same members liked what they saw, when they threw their For Your Consideration DVD of Shame on their home projection system?

Although it’s essentially a noir love story, how well did the unexpectedly violent moments of Drive play in that comfortable Bel Air living room?  What about the knife-edge walked in Young Adult by both Patton Oswalt and  Charlize Theron?  Their (virtual) shut-out in the nominations was a hint. Drive managed one technical nomination, but nothing for its music, let alone its actors, just ask Albert Brooks. On second thought. .

How do you think the near-perfect A Separation from Iran did in the Foreign Language section, where all five of the nominated films must be seen?  Well, that depends on how many voting members get themselves to those screenings at the Academy, and if they are working (as 42% are, the Times says)  even with two screenings of every film, that could mean that only a tiny, dogged percentage chose the winner. And heaven help any film if word gets around that it’s “difficult” or “challenging.”

Don’t look to hip, young members of the Actors branch to rush to the side of “fringe” work, or even toward an outre performance (Michael Fassbender, Ryan Gosling, Adepero Oduye of Pariah.) They’re only 20% of the membership, their median age is 65, and they’re 88% white.

How does one become a member, anyway?  According to the LAT:

“There are three ways to become a candidate for membership: land an Oscar nomination; apply and receive a recommendation from two members of a branch; or earn an endorsement from the branch’s membership committee or the academy staff.

The membership committees then vote on the candidates; those who get a majority are invited to join. The academy says almost everyone accepts the offer.

Actors, for example, now must have three significant credits to be considered for membership, and producers need two solo producing credits or the equivalent. Such criteria benefit people with more experience. “The academy is always going to be slightly older — if just because you have to have about five years of credits before you’re even considered,” said Joe Letteri, a four-time Oscar winner for visual effects.”

Look: they added almost 800 new members to the Academy between 1990, (when I still used to go to Academy screenings) and the year 2000, and nothing has really changed, much as Academy board members say they wish it would.  They have, however, put the brakes on admission since 2000.

Part of the fun of those Academy screenings was watching indignant wives lead the Voting Member straight up the aisle and out the door as soon as a Foreign Film nominee crossed the family line on sex. If you ever wondered about the tepid quality of Oscar Foreign Film winners, start there — and certainly with the guardedly-controversial nature of the “Official” films submitted from across the world.

As the Board looks to its branches to bolster their woeful statistics on race, gender and age, the status quo disturbs some not at all. To return to the Times:

Frank Pierson, a former academy president who won an Oscar for original screenplay for “Dog Day Afternoon” in 1976, said merit is the primary criterion for membership.

“I don’t see any reason why the academy should represent the entire American population. That’s what the People’s Choice Awards are for,” said Pierson, who still serves on the board of governors. “We represent the professional filmmakers, and if that doesn’t reflect the general population, so be it.”

The late Damien Bona, who wrote the most readable chronicles of the Academy Awards ever, was fond of quoting this from director Milos Forman, who’d won two:

“The Academy Awards are a wonderful game, but if you take them seriously, you’re in trouble.”

Good intentions aside, perhaps that’s the best way to look at the Academy itself, inching its way with no particular haste into the world — as they see it, reflected in the films that they award.

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